As Claire tries to order a drink, the barista divulges her whole life to her before Claire can even get her coffee. The funniest scene takes place in the coffee shop down the street. The comedic relief of the nerdy pair adds lightheartedness in between suspenseful moments. Healy’s nonchalant attitude and snarky one-liners keep the film entertaining. It is not really apparent how old Paxton’s character is, but Luke is attracted to her, and he does not appear to be young at all. They are hilarious with their lazy demeanor and quirky quips with each other. Paxton and Healy make a good duo and are likable but very naive, as is usually the case when it comes to horror movies. It does not come off corny but rather eerie and creepy as two keys on the piano are pressed by someone who can’t be seen. The score that plays as Claire walks toward the lobby is very engaging and builds the tension until she reaches the piano. The scene in which Claire tries to contact the spirits in the dining room leads her to hear a song playing on the piano in the empty front lobby. Like most thrillers, once Claire and Luke begin to search around the halls, faint noises and images of a female ghost in a wedding dress start to appear. With the help of Leanne (Kelly McGillis), a current guest who is a TV-star-turned healer, Claire makes contact with the spirits living in the inn.Ĭlaire’s eagerness to find the ghost of a former guest who died in the basement lands her in a situation in which no one can help her. During their paranormal search they discover more than they can handle. The two are determined to find out if the place is crawling with spirits. The thriller “The Innkeepers” introduces Yankee Pedlar employees Luke (Pat Healy) and Claire (Sara Paxton) during their last weekend at the inn before it is shut down. The employees don’t always remember to bring towels to the room.
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Meanwhile, Pat Healy, as Luke, is strong in a different way, arguably with a slightly less clear-cut character, but just as interesting to spend time with.The Yankee Pedlar Inn is not an average accommodation in Connecticut. She sells the monotony, and then gradually creeping sense of unease, with a restraint that suggests there’s a lot, lot more to come in her career. Sara Paxton’s Claire is a believable lead character, and takes centre stage for much of the movie. He’s served well by two particularly strong performances in front of the camera, too. The Innkeepers has no such paucity of such moments, and West proves expert at pulling his shocks off. As lauded as the excellent The Cabin In The Woods was earlier in the year, the one ingredient it perhaps lacked was an ability to make you jump out of your seat. It’s brilliantly paced, with the spookier elements of the film gradually coming more and more into play.Īnd The Innkeepers most certainly is spooky. The Innkeepers is a film where not much, you could argue, tends to happen, but it really feels like there’s lots going on, even in the stillness of it all.
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But he proves expert at slowly, gently, building up the tension. Sure, he mixes in his very close shots to build up shock value with the wider, emptier frames.
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It’s West’s diligence and skill behind the camera that’s instrumental in this working quite so well. A few spooky stories, the Internet, and the odd hint of something more between the two seem to pass the time. Those members of staff – Luke and Claire – have long since run out of any affection for the place, and are more interested in getting through the last long nights without getting bored. A long-running hotel lies all-but-empty on its last weekend of business before closing down, with just a handful of guests, and two bored members of staff left to run the place. The setting could come from any movie from the corner of the video shop. It’s also one of the best horror films in some time. Keeping its shock moments in its pocket until they’re needed, narrowing down its gore to what’s necessary and eschewing the nastier edges of the genre, The Innkeepers emerges as a tense, engaging, properly-made piece of work. In the case of The Innkeepers, Incredibly well, in fact. Given the number of gimmicks and distractions that have increasingly dominated the horror movie genre, it’s massively refreshing to be able to talk about a film that bothers to do the basics well.